Hunter College Art Galleries to Present OPEN WORK IN LATIN AMERICA, NEW YORK & BEYOND, 2/7-5/5
Hunter College Art Galleries, Open Work in Latin America, New York & Beyond
Hunter College Art Galleries presents Open Work in Latin America, New York & Beyond: Conceptualism Reconsidered, 1967-1978, curated by Harper Montgomery, the Patricia Phelps de Cisneros Professor in Latin American Art. The opening reception will take place on Thursday, February 7th, 6-8pm in The Bertha and Karl Leubsdorf Art Gallery at Hunter College (West Building at the southwest corner of 68th Street and Lexington Avenue, NYC). The exhibition runs February 8 - May 5, 2013. For more information, visit www.latinamericanartathunter.org.
Artists: Diego Barboza, Artur Barrio, Luis Benedit, Mel Bochner, Donald Burgy, Luis Camnitzer, Sigfredo Chacón, Eduardo Costa, Jaime Davidovich, Iole de Freitas, Antonio Dias,
Juan Downey, Felipe Ehrenberg, Rafael Ferrer, Anna Bella Geiger, Rubens Gerchman,
Víctor Grippo, Leandro Katz, Joseph Kosuth, David Lamelas, Sol LeWitt, Lucy Lippard,
Cildo Meireles, Ana Mendieta, Marta Minujín, Hélio Oiticica, Clemente Padín, Claudio Perna, John Perreault, Liliana Porter, Alejandro Puente, Carlos Rojas, Ed Ruscha, Bernardo Salcedo, Lawrence Weiner, Horacio Zabala
Eco's concept of the Open Work-an artwork that could not be completed without the viewer's participation-was highly useful for Latin American conceptualists from the late 1960s through the late 1970s because it named the collaborative and performative emphasis of their artworks. Open Work in Latin America, New York & Beyond: Conceptualism Reconsidered, 1967-1978 displays the capacious nature of conceptualism by exhibiting 91 books, video, sound, prints, drawings, installations and photography by 36 artists working in Buenos Aires, Rio de Janeiro, New York, London, Los Angeles, Montevideo and Caracas. Although not a historical survey, the show presents a collective desire to use the body to destabilize systems of representation shared by artists from Latin America working in conceptual modes from 1967 to 1978.
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